The  FLWR is an overdrive effect pedal with a unique set of controls that allow it to span a wide range of drive tones adaptable for both stage and studio alike. At its core, FLWR was created to hold a space in your rig that’s uniquely and dynamically responsive to your instrument, your technique, and the other components in your signal chain. It does this with an interesting set of knobs and switches that allow the player to find their prefect “break-up” spot and then to have the space to dial that back or push it to the floor.

The GAIN control is the first knob on the left, but it actually is a control for the second gain stage. Increasing this knob will also add a warmth to the output as well as increasing gain. The LEVEL control is for overall output and can produce up to 45 dB of gain, which is plenty to push into fuzz territory. SHAPE is controlled by 2x 2-position selector switches. The first 3 position selector (1,2,3) effects the first gain stage with position 3 being the most total gain. Position 1 and 2 are the same amount of gain but position 1 has a low-pass filter in it. Selector 2 switches from shaped high-gain output (A), to flat low-gain (B), and bright medium gain (C). Finally, the third selector, CLIP, controls the clipping diode module. Options are 1^st pair (1), no clipping diodes (0), and a 2^nd pair (2).

Sticking with the traditional 29 Pedals form factor, FLWR combines open ended knob control with repeatable selector control for infinite possibilities and easy, return-to-setting options.

• GAIN knob adjusts second gain stage intricately.
• LEVEL control offers up to 45 dB of gain.
• SHAPE selector switches for nuanced tonal variations.
• CLIP selector manages clipping diode modules effectively.
• Dynamic responsiveness to instrument and signal chain.
• Adaptable for both stage and studio environments.
• Traditional form factor with open-ended knob control.